Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 19, 2019 | Sotheby's | London | Impressionist & Modern Art Evening Sale | 9 | $****** - ****** | LE BOULEVARD MONTMARTRE, FIN DE JOURNÉE | |||
Jun 19, 2018 | Sotheby's | London | Impressionist & Modern Art Evening Sale | 10 | $****** - ****** | LE BOULEVARD MONTMARTRE, BRUME DU MATIN | |||
Feb 5, 2014 | Sotheby's | London | Impressionist, Modern & Surrealist Art Evening Sale | 43 | $****** - ****** | Le Boulevard Montmartre, Matinée De Printemps |
paintings
54 x 65 cm (21.26 x 25.59 in)
oil on canvas
signed C. Pissarro and dated 97 (lower left)
Galerie Durand-Ruel, Paris (acquired from the artist on 11th May 1897)
Julius Stern, Berlin (acquired from the above on 21st September 1897. Sold: Paul Cassirer und Hugo Helbing, Berlin, Sammlung Julius Stern, 22nd May 1916, lot 76)
Alfred Sommerguth, Berlin (purchased at the above sale)
Gertrud Sommerguth, Berlin (a gift from the above, Christmas 1928)
Galerie Nathan, Zurich (1941)
Private Collection, Europe
This lot is offered pursuant to a settlement agreement between the present owner and the heirs of Alfred and Gertrud Sommerguth.
Basel, Kunsthalle, Impressionisten - Monet, Pissarro, Sisley, 1949, possibly no. 166
Bern, Kunstmuseum, Camille Pissarro, 1957, no. 94 (titled Boulevard Montmartre, soleil couchant)
Lausanne, Palais de Beaulieu, Chefs-d'œuvre des collections suisses: de Manet à Picasso, 1964, no. 54
Paris, Musée de l'Orangerie, Chefs-d'œuvre des collections suisses de Manet à Picasso, 1967, no. 48
Ludovic-Rodo Pissarro & Lionello Venturi, Camille Pissarro - son art, son œuvre, Paris, 1939, vol. I, no. 989, catalogued p. 218; vol. II, no. 989, illustrated pl. 199 (titled Boulevard Montmartre, soleil couchant)
Kathleen Adler, 'Camille Pissarro: City and Country in the 1890s', in Christopher Lloyd (ed.), Studies on Camille Pissarro, London & New York, 1987, p. 113, note 1
Janine Bailly-Herzberg, Correspondance de Camille Pissarro, Paris, 1990, vol. IV, letter no. 1436, mentioned p. 375
The Impressionist and the City: Pissarro's Series Paintings (exhibition catalogue), Dallas Museum of Art, Dallas; Philadelphia Museum of Art, Philadelphia & Royal Academy of Arts, London, 1992-93, no. 49, illustrated in colour p. 68 (titled Boulevard Montmartre, soleil couchant)
Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro. Catalogue critique des peintures, Paris, 2005, vol. III, no. 1170, illustrated in colour p. 736
signed C. Pissarro and dated 97 (lower left)
oil on canvas
54 by 65cm.
21 1/4 by 25 5/8 in.
Painted in 1897.
